The Evil Dead (1981 New Line Cinema Film)

Evil_dead_ver1

For a 1980’s movie, this movie is goddamn scary!  The Evil Dead is still some of the scariest shit you will ever see.  Our King and cult classic icon Bruce Campbell rides into town in his Buick to kick Deadite ass.  Unfortunately he arrived in a Sam Raimi movie, which means fucked!  Ash is in for one hell of a night as he and his college friends succumb to demonic possession and ever amplifying mayhem of blood, guts, and gore! 

If you are have a heart condition, seriously, do not watch this movie.  Sam Raimi takes you to a lonely cabin out in the mountains where your sanity will be tied to a chair and beat down with a rusty chain until it bleeds profusely.  Seriously, this movie was raved by Stephen King, which helped Sam Raimi to secure New Line Cinema as distributor and would forever lock in the movie careers of Sam Raimi and Bruce Campbell.

So in honor of the King returning to television tomorrow night on Halloween, we salute the King by showing the movie that made him the king.   Ash vs Evil Dead we are sure will be a instant smash hit tomorrow as he and his chin chainsaw their way through audiences sanity tomorrow night.

Bruce Campbell sir, we kneel to you, Baby!

But first, the trailer for Ash vs. Evil Dead!

And now, our feature presentation!  Groovy!

Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include— 

(1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;

(2) the nature of the copyrighted work;

(3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and

(4) the effect of the use upon the potential market for or value of the copyrighted work.

The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors