AT THE ARIZONA CAVE
It was dark when I opened my eyes again. Strange, stiff garments were upon my body; garments that cracked and powdered away from me as I rose to a sitting posture.
I felt myself over from head to foot and from head to foot I was clothed, though when I fell unconscious at the little doorway I had been naked. Before me was a small patch of moonlit sky which showed through a ragged aperture.
As my hands passed over my body they came in contact with pockets and in one of these a small parcel of matches wrapped in oiled paper. One of these matches I struck, and its dim flame lighted up what appeared to be a huge cave, toward the back of which I discovered a strange, still figure huddled over a tiny bench. As I approached it I saw that it was the dead and mummified remains of a little old woman with long black hair, and the thing it leaned over was a small charcoal burner upon which rested a round copper vessel containing a small quantity of greenish powder.
Behind her, depending from the roof upon rawhide thongs, and stretching entirely across the cave, was a row of human skeletons. From the thong which held them stretched another to the dead hand of the little old woman; as I touched the cord the skeletons swung to the motion with a noise as of the rustling of dry leaves.
It was a most grotesque and horrid tableau and I hastened out into the fresh air; glad to escape from so gruesome a place.
The sight that met my eyes as I stepped out upon a small ledge which ran before the entrance of the cave filled me with consternation.
A new heaven and a new landscape met my gaze. The silvered mountains in the distance, the almost stationary moon hanging in the sky, the cacti-studded valley below me were not of Mars. I could scarce believe my eyes, but the truth slowly forced itself upon me—I was looking upon Arizona from the same ledge from which ten years before I had gazed with longing upon Mars.
Burying my head in my arms I turned, broken, and sorrowful, down the trail from the cave.
Above me shone the red eye of Mars holding her awful secret, forty-eight million miles away.
Did the Martian reach the pump room? Did the vitalizing air reach the people of that distant planet in time to save them? Was my Dejah Thoris alive, or did her beautiful body lie cold in death beside the tiny golden incubator in the sunken garden of the inner courtyard of the palace of Tardos Mors, the jeddak of Helium?
For ten years I have waited and prayed for an answer to my questions. For ten years I have waited and prayed to be taken back to the world of my lost love. I would rather lie dead beside her there than live on Earth all those millions of terrible miles from her.
The old mine, which I found untouched, has made me fabulously wealthy; but what care I for wealth!
As I sit here tonight in my little study overlooking the Hudson, just twenty years have elapsed since I first opened my eyes upon Mars.
I can see her shining in the sky through the little window by my desk, and tonight she seems calling to me again as she has not called before since that long dead night, and I think I can see, across that awful abyss of space, a beautiful black-haired woman standing in the garden of a palace, and at her side is a little boy who puts his arm around her as she points into the sky toward the planet Earth, while at their feet is a huge and hideous creature with a heart of gold.
I believe that they are waiting there for me, and something tells me that I shall soon know.
About the Author
Aiming his work at the pulps, Burroughs had his first story, Under the Moons of Mars, serialized by Frank Munsey in the February to July 1912 issues of The All-Story – under the name “Norman Bean” to protect his reputation.[a] Under the Moons of Mars inaugurated the Barsoom series and earned Burroughs US$400 ($9,927 today). It was first published as a book by A. C. McClurg of Chicago in 1917, entitled A Princess of Mars, after three Barsoom sequels had appeared as serials and McClurg had published the first four serial Tarzan novels as books.
Burroughs soon took up writing full-time, and by the time the run of Under the Moons of Mars had finished, he had completed two novels, including Tarzan of the Apes, published from October 1912 and one of his most successful series.
Burroughs also wrote popular science fiction and fantasy stories involving adventurers from Earth transported to various planets (notably Barsoom, Burroughs’s fictional name for Mars, and Amtor, his fictional name for Venus), lost islands, and into the interior of the hollow earth in his Pellucidar stories. He also wrote Westerns and historical romances. Besides those published in All-Story, many of his stories were published in The Argosy magazine.
Tarzan was a cultural sensation when introduced. Burroughs was determined to capitalize on Tarzan’s popularity in every way possible. He planned to exploit Tarzan through several different media including a syndicated Tarzan comic strip, movies, and merchandise. Experts in the field advised against this course of action, stating that the different media would just end up competing against each other. Burroughs went ahead, however, and proved the experts wrong – the public wanted Tarzan in whatever fashion he was offered. Tarzan remains one of the most successful fictional characters to this day and is a cultural icon.
In either 1915 or 1919, Burroughs purchased a large ranch north of Los Angeles, California, which he named “Tarzana”. The citizens of the community that sprang up around the ranch voted to adopt that name when their community, Tarzana, California, was formed in 1927. Also, the unincorporated community of Tarzan, Texas, was formally named in 1927 when the US Postal Service accepted the name, reputedly coming from the popularity of the first (silent) Tarzan of the Apes film, starring Elmo Lincoln, and an early “Tarzan” comic strip.
In 1923, Burroughs set up his own company, Edgar Rice Burroughs, Inc., and began printing his own books through the 1930s.