Dracula – “Chapter 25” by Bram Stoker
DR. SEWARD’S DIARY
11 October, Evening.—Jonathan Harker has asked me to note this, as he says he is hardly equal to the task, and he wants an exact record kept.
I think that none of us were surprised when we were asked to see Mrs. Harker a little before the time of sunset. We have of late come to understand that sunrise and sunset are to her times of peculiar freedom; when her old self can be manifest without any controlling force subduing or restraining her, or inciting her to action. This mood or condition begins some half hour or more before actual sunrise or sunset, and lasts till either the sun is high, or whilst the clouds are still aglow with the rays streaming above the horizon. At first there is a sort of negative condition, as if some tie were loosened, and then the absolute freedom quickly follows; when, however, the freedom ceases the change-back or relapse comes quickly, preceded only by a spell of warning silence.
To-night, when we met, she was somewhat constrained, and bore all the signs of an internal struggle. I put it down myself to her making a violent effort at the earliest instant she could do so. A very few minutes, however, gave her complete control of herself; then, motioning her husband to sit beside her on the sofa where she was half reclining, she made the rest of us bring chairs up close. Taking her husband’s hand in hers began:—
“We are all here together in freedom, for perhaps the last time! I know, dear; I know that you will always be with me to the end.” This was to her husband whose hand had, as we could see, tightened upon hers. “In the morning we go out upon our task, and God alone knows what may be in store for any of us. You are going to be so good to me as to take me with you. I know that all that brave earnest men can do for a poor weak woman, whose soul perhaps is lost—no, no, not yet, but is at any rate at stake—you will do. But you must remember that I am not as you are. There is a poison in my blood, in my soul, which may destroy me; which must destroy me, unless some relief comes to us. Oh, my friends, you know as well as I do, that my soul is at stake; and though I know there is one way out for me, you must not and I must not take it!” She looked appealingly to us all in turn, beginning and ending with her husband.
“What is that way?” asked Van Helsing in a hoarse voice. “What is that way, which we must not—may not—take?”
“That I may die now, either by my own hand or that of another, before the greater evil is entirely wrought. I know, and you know, that were I once dead you could and would set free my immortal spirit, even as you did my poor Lucy’s. Were death, or the fear of death, the only thing that stood in the way I would not shrink to die here, now, amidst the friends who love me. But death is not all. I cannot believe that to die in such a case, when there is hope before us and a bitter task to be done, is God’s will. Therefore, I, on my part, give up here the certainty of eternal rest, and go out into the dark where may be the blackest things that the world or the nether world holds!” We were all silent, for we knew instinctively that this was only a prelude. The faces of the others were set and Harker’s grew ashen grey; perhaps he guessed better than any of us what was coming. She continued:—
“This is what I can give into the hotch-pot.” I could not but note the quaint legal phrase which she used in such a place, and with all seriousness. “What will each of you give? Your lives I know,” she went on quickly, “that is easy for brave men. Your lives are God’s, and you can give them back to Him; but what will you give to me?” She looked again questioningly, but this time avoided her husband’s face. Quincey seemed to understand; he nodded, and her face lit up. “Then I shall tell you plainly what I want, for there must be no doubtful matter in this connection between us now. You must promise me, one and all—even you, my beloved husband—that, should the time come, you will kill me.”
“What is that time?” The voice was Quincey’s, but it was low and strained.
“When you shall be convinced that I am so changed that it is better that I die that I may live. When I am thus dead in the flesh, then you will, without a moment’s delay, drive a stake through me and cut off my head; or do whatever else may be wanting to give me rest!”
Quincey was the first to rise after the pause. He knelt down before her and taking her hand in his said solemnly:—
“I’m only a rough fellow, who hasn’t, perhaps, lived as a man should to win such a distinction, but I swear to you by all that I hold sacred and dear that, should the time ever come, I shall not flinch from the duty that you have set us. And I promise you, too, that I shall make all certain, for if I am only doubtful I shall take it that the time has come!”
“My true friend!” was all she could say amid her fast-falling tears, as, bending over, she kissed his hand.
“I swear the same, my dear Madam Mina!” said Van Helsing.
“And I!” said Lord Godalming, each of them in turn kneeling to her to take the oath. I followed, myself. Then her husband turned to her wan-eyed and with a greenish pallor which subdued the snowy whiteness of his hair, and asked:—
“And must I, too, make such a promise, oh, my wife?”
“You too, my dearest,” she said, with infinite yearning of pity in her voice and eyes. “You must not shrink. You are nearest and dearest and all the world to me; our souls are knit into one, for all life and all time. Think, dear, that there have been times when brave men have killed their wives and their womenkind, to keep them from falling into the hands of the enemy. Their hands did not falter any the more because those that they loved implored them to slay them. It is men’s duty towards those whom they love, in such times of sore trial! And oh, my dear, if it is to be that I must meet death at any hand, let it be at the hand of him that loves me best. Dr. Van Helsing, I have not forgotten your mercy in poor Lucy’s case to him who loved”—she stopped with a flying blush, and changed her phrase—“to him who had best right to give her peace. If that time shall come again, I look to you to make it a happy memory of my husband’s life that it was his loving hand which set me free from the awful thrall upon me.”
“Again I swear!” came the Professor’s resonant voice. Mrs. Harker smiled, positively smiled, as with a sigh of relief she leaned back and said:—
“And now one word of warning, a warning which you must never forget: this time, if it ever come, may come quickly and unexpectedly, and in such case you must lose no time in using your opportunity. At such a time I myself might be—nay! if the time ever comes, shall be—leagued with your enemy against you.”
“One more request;” she became very solemn as she said this, “it is not vital and necessary like the other, but I want you to do one thing for me, if you will.” We all acquiesced, but no one spoke; there was no need to speak:—
“I want you to read the Burial Service.” She was interrupted by a deep groan from her husband; taking his hand in hers, she held it over her heart, and continued: “You must read it over me some day. Whatever may be the issue of all this fearful state of things, it will be a sweet thought to all or some of us. You, my dearest, will I hope read it, for then it will be in your voice in my memory for ever—come what may!”
“But oh, my dear one,” he pleaded, “death is afar off from you.”
“Nay,” she said, holding up a warning hand. “I am deeper in death at this moment than if the weight of an earthly grave lay heavy upon me!”
“Oh, my wife, must I read it?” he said, before he began.
“It would comfort me, my husband!” was all she said; and he began to read when she had got the book ready.
“How can I—how could any one—tell of that strange scene, its solemnity, its gloom, its sadness, its horror; and, withal, its sweetness. Even a sceptic, who can see nothing but a travesty of bitter truth in anything holy or emotional, would have been melted to the heart had he seen that little group of loving and devoted friends kneeling round that stricken and sorrowing lady; or heard the tender passion of her husband’s voice, as in tones so broken with emotion that often he had to pause, he read the simple and beautiful service from the Burial of the Dead. I—I cannot go on—words—and—v-voice—f-fail m-me!”
She was right in her instinct. Strange as it all was, bizarre as it may hereafter seem even to us who felt its potent influence at the time, it comforted us much; and the silence, which showed Mrs. Harker’s coming relapse from her freedom of soul, did not seem so full of despair to any of us as we had dreaded.
Jonathan Harker’s Journal.
15 October, Varna.—We left Charing Cross on the morning of the 12th, got to Paris the same night, and took the places secured for us in the Orient Express. We travelled night and day, arriving here at about five o’clock. Lord Godalming went to the Consulate to see if any telegram had arrived for him, whilst the rest of us came on to this hotel—“the Odessus.” The journey may have had incidents; I was, however, too eager to get on, to care for them. Until the Czarina Catherine comes into port there will be no interest for me in anything in the wide world. Thank God! Mina is well, and looks to be getting stronger; her colour is coming back. She sleeps a great deal; throughout the journey she slept nearly all the time. Before sunrise and sunset, however, she is very wakeful and alert; and it has become a habit for Van Helsing to hypnotise her at such times. At first, some effort was needed, and he had to make many passes; but now, she seems to yield at once, as if by habit, and scarcely any action is needed. He seems to have power at these particular moments to simply will, and her thoughts obey him. He always asks her what she can see and hear. She answers to the first:—
“Nothing; all is dark.” And to the second:—
“I can hear the waves lapping against the ship, and the water rushing by. Canvas and cordage strain and masts and yards creak. The wind is high—I can hear it in the shrouds, and the bow throws back the foam.” It is evident that the Czarina Catherine is still at sea, hastening on her way to Varna. Lord Godalming has just returned. He had four telegrams, one each day since we started, and all to the same effect: that the Czarina Catherine had not been reported to Lloyd’s from anywhere. He had arranged before leaving London that his agent should send him every day a telegram saying if the ship had been reported. He was to have a message even if she were not reported, so that he might be sure that there was a watch being kept at the other end of the wire.
We had dinner and went to bed early. To-morrow we are to see the Vice-Consul, and to arrange, if we can, about getting on board the ship as soon as she arrives. Van Helsing says that our chance will be to get on the boat between sunrise and sunset. The Count, even if he takes the form of a bat, cannot cross the running water of his own volition, and so cannot leave the ship. As he dare not change to man’s form without suspicion—which he evidently wishes to avoid—he must remain in the box. If, then, we can come on board after sunrise, he is at our mercy; for we can open the box and make sure of him, as we did of poor Lucy, before he wakes. What mercy he shall get from us will not count for much. We think that we shall not have much trouble with officials or the seamen. Thank God! this is the country where bribery can do anything, and we are well supplied with money. We have only to make sure that the ship cannot come into port between sunset and sunrise without our being warned, and we shall be safe. Judge Moneybag will settle this case, I think!
16 October.—Mina’s report still the same: lapping waves and rushing water, darkness and favouring winds. We are evidently in good time, and when we hear of the Czarina Catherine we shall be ready. As she must pass the Dardanelles we are sure to have some report.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
17 October.—Everything is pretty well fixed now, I think, to welcome the Count on his return from his tour. Godalming told the shippers that he fancied that the box sent aboard might contain something stolen from a friend of his, and got a half consent that he might open it at his own risk. The owner gave him a paper telling the Captain to give him every facility in doing whatever he chose on board the ship, and also a similar authorisation to his agent at Varna. We have seen the agent, who was much impressed with Godalming’s kindly manner to him, and we are all satisfied that whatever he can do to aid our wishes will be done. We have already arranged what to do in case we get the box open. If the Count is there, Van Helsing and Seward will cut off his head at once and drive a stake through his heart. Morris and Godalming and I shall prevent interference, even if we have to use the arms which we shall have ready. The Professor says that if we can so treat the Count’s body, it will soon after fall into dust. In such case there would be no evidence against us, in case any suspicion of murder were aroused. But even if it were not, we should stand or fall by our act, and perhaps some day this very script may be evidence to come between some of us and a rope. For myself, I should take the chance only too thankfully if it were to come. We mean to leave no stone unturned to carry out our intent. We have arranged with certain officials that the instant the Czarina Catherine is seen, we are to be informed by a special messenger.
24 October.—A whole week of waiting. Daily telegrams to Godalming, but only the same story: “Not yet reported.” Mina’s morning and evening hypnotic answer is unvaried: lapping waves, rushing water, and creaking masts.
Telegram, October 24th.
Rufus Smith, Lloyd’s, London, to Lord Godalming, care of H. B. M.
“Czarina Catherine reported this morning from Dardanelles.”
Dr. Seward’s Diary.
25 October.—How I miss my phonograph! To write diary with a pen is irksome to me; but Van Helsing says I must. We were all wild with excitement yesterday when Godalming got his telegram from Lloyd’s. I know now what men feel in battle when the call to action is heard. Mrs. Harker, alone of our party, did not show any signs of emotion. After all, it is not strange that she did not; for we took special care not to let her know anything about it, and we all tried not to show any excitement when we were in her presence. In old days she would, I am sure, have noticed, no matter how we might have tried to conceal it; but in this way she is greatly changed during the past three weeks. The lethargy grows upon her, and though she seems strong and well, and is getting back some of her colour, Van Helsing and I are not satisfied. We talk of her often; we have not, however, said a word to the others. It would break poor Harker’s heart—certainly his nerve—if he knew that we had even a suspicion on the subject. Van Helsing examines, he tells me, her teeth very carefully, whilst she is in the hypnotic condition, for he says that so long as they do not begin to sharpen there is no active danger of a change in her. If this change should come, it would be necessary to take steps!… We both know what those steps would have to be, though we do not mention our thoughts to each other. We should neither of us shrink from the task—awful though it be to contemplate. “Euthanasia” is an excellent and a comforting word! I am grateful to whoever invented it.
It is only about 24 hours’ sail from the Dardanelles to here, at the rate the Czarina Catherine has come from London. She should therefore arrive some time in the morning; but as she cannot possibly get in before then, we are all about to retire early. We shall get up at one o’clock, so as to be ready.
25 October, Noon.—No news yet of the ship’s arrival. Mrs. Harker’s hypnotic report this morning was the same as usual, so it is possible that we may get news at any moment. We men are all in a fever of excitement, except Harker, who is calm; his hands are cold as ice, and an hour ago I found him whetting the edge of the great Ghoorka knife which he now always carries with him. It will be a bad lookout for the Count if the edge of that “Kukri” ever touches his throat, driven by that stern, ice-cold hand!
Van Helsing and I were a little alarmed about Mrs. Harker to-day. About noon she got into a sort of lethargy which we did not like; although we kept silence to the others, we were neither of us happy about it. She had been restless all the morning, so that we were at first glad to know that she was sleeping. When, however, her husband mentioned casually that she was sleeping so soundly that he could not wake her, we went to her room to see for ourselves. She was breathing naturally and looked so well and peaceful that we agreed that the sleep was better for her than anything else. Poor girl, she has so much to forget that it is no wonder that sleep, if it brings oblivion to her, does her good.
Later.—Our opinion was justified, for when after a refreshing sleep of some hours she woke up, she seemed brighter and better than she had been for days. At sunset she made the usual hypnotic report. Wherever he may be in the Black Sea, the Count is hurrying to his destination. To his doom, I trust!
26 October.—Another day and no tidings of the Czarina Catherine. She ought to be here by now. That she is still journeying somewhere is apparent, for Mrs. Harker’s hypnotic report at sunrise was still the same. It is possible that the vessel may be lying by, at times, for fog; some of the steamers which came in last evening reported patches of fog both to north and south of the port. We must continue our watching, as the ship may now be signalled any moment.
27 October, Noon.—Most strange; no news yet of the ship we wait for. Mrs. Harker reported last night and this morning as usual: “lapping waves and rushing water,” though she added that “the waves were very faint.” The telegrams from London have been the same: “no further report.” Van Helsing is terribly anxious, and told me just now that he fears the Count is escaping us. He added significantly:—
“I did not like that lethargy of Madam Mina’s. Souls and memories can do strange things during trance.” I was about to ask him more, but Harker just then came in, and he held up a warning hand. We must try to-night at sunset to make her speak more fully when in her hypnotic state.
28 October.—Telegram. Rufus Smith, London, to Lord Godalming, care H. B. M. Vice Consul, Varna.
“Czarina Catherine reported entering Galatz at one o’clock to-day.”
Dr. Seward’s Diary.
28 October.—When the telegram came announcing the arrival in Galatz I do not think it was such a shock to any of us as might have been expected. True, we did not know whence, or how, or when, the bolt would come; but I think we all expected that something strange would happen. The delay of arrival at Varna made us individually satisfied that things would not be just as we had expected; we only waited to learn where the change would occur. None the less, however, was it a surprise. I suppose that nature works on such a hopeful basis that we believe against ourselves that things will be as they ought to be, not as we should know that they will be. Transcendentalism is a beacon to the angels, even if it be a will-o’-the-wisp to man. It was an odd experience and we all took it differently. Van Helsing raised his hand over his head for a moment, as though in remonstrance with the Almighty; but he said not a word, and in a few seconds stood up with his face sternly set. Lord Godalming grew very pale, and sat breathing heavily. I was myself half stunned and looked in wonder at one after another. Quincey Morris tightened his belt with that quick movement which I knew so well; in our old wandering days it meant “action.” Mrs. Harker grew ghastly white, so that the scar on her forehead seemed to burn, but she folded her hands meekly and looked up in prayer. Harker smiled—actually smiled—the dark, bitter smile of one who is without hope; but at the same time his action belied his words, for his hands instinctively sought the hilt of the great Kukri knife and rested there. “When does the next train start for Galatz?” said Van Helsing to us generally.
“At 6:30 to-morrow morning!” We all started, for the answer came from Mrs. Harker.
“How on earth do you know?” said Art.
“You forget—or perhaps you do not know, though Jonathan does and so does Dr. Van Helsing—that I am the train fiend. At home in Exeter I always used to make up the time-tables, so as to be helpful to my husband. I found it so useful sometimes, that I always make a study of the time-tables now. I knew that if anything were to take us to Castle Dracula we should go by Galatz, or at any rate through Bucharest, so I learned the times very carefully. Unhappily there are not many to learn, as the only train to-morrow leaves as I say.”
“Wonderful woman!” murmured the Professor.
“Can’t we get a special?” asked Lord Godalming. Van Helsing shook his head: “I fear not. This land is very different from yours or mine; even if we did have a special, it would probably not arrive as soon as our regular train. Moreover, we have something to prepare. We must think. Now let us organize. You, friend Arthur, go to the train and get the tickets and arrange that all be ready for us to go in the morning. Do you, friend Jonathan, go to the agent of the ship and get from him letters to the agent in Galatz, with authority to make search the ship just as it was here. Morris Quincey, you see the Vice-Consul, and get his aid with his fellow in Galatz and all he can do to make our way smooth, so that no times be lost when over the Danube. John will stay with Madam Mina and me, and we shall consult. For so if time be long you may be delayed; and it will not matter when the sun set, since I am here with Madam to make report.”
“And I,” said Mrs. Harker brightly, and more like her old self than she had been for many a long day, “shall try to be of use in all ways, and shall think and write for you as I used to do. Something is shifting from me in some strange way, and I feel freer than I have been of late!” The three younger men looked happier at the moment as they seemed to realise the significance of her words; but Van Helsing and I, turning to each other, met each a grave and troubled glance. We said nothing at the time, however.
When the three men had gone out to their tasks Van Helsing asked Mrs. Harker to look up the copy of the diaries and find him the part of Harker’s journal at the Castle. She went away to get it; when the door was shut upon her he said to me:—
“We mean the same! speak out!”
“There is some change. It is a hope that makes me sick, for it may deceive us.”
“Quite so. Do you know why I asked her to get the manuscript?”
“No!” said I, “unless it was to get an opportunity of seeing me alone.”
“You are in part right, friend John, but only in part. I want to tell you something. And oh, my friend, I am taking a great—a terrible—risk; but I believe it is right. In the moment when Madam Mina said those words that arrest both our understanding, an inspiration came to me. In the trance of three days ago the Count sent her his spirit to read her mind; or more like he took her to see him in his earth-box in the ship with water rushing, just as it go free at rise and set of sun. He learn then that we are here; for she have more to tell in her open life with eyes to see and ears to hear than he, shut, as he is, in his coffin-box. Now he make his most effort to escape us. At present he want her not.
“He is sure with his so great knowledge that she will come at his call; but he cut her off—take her, as he can do, out of his own power, that so she come not to him. Ah! there I have hope that our man-brains that have been of man so long and that have not lost the grace of God, will come higher than his child-brain that lie in his tomb for centuries, that grow not yet to our stature, and that do only work selfish and therefore small. Here comes Madam Mina; not a word to her of her trance! She know it not; and it would overwhelm her and make despair just when we want all her hope, all her courage; when most we want all her great brain which is trained like man’s brain, but is of sweet woman and have a special power which the Count give her, and which he may not take away altogether—though he think not so. Hush! let me speak, and you shall learn. Oh, John, my friend, we are in awful straits. I fear, as I never feared before. We can only trust the good God. Silence! here she comes!”
I thought that the Professor was going to break down and have hysterics, just as he had when Lucy died, but with a great effort he controlled himself and was at perfect nervous poise when Mrs. Harker tripped into the room, bright and happy-looking and, in the doing of work, seemingly forgetful of her misery. As she came in, she handed a number of sheets of typewriting to Van Helsing. He looked over them gravely, his face brightening up as he read. Then holding the pages between his finger and thumb he said:—
“Friend John, to you with so much of experience already—and you, too, dear Madam Mina, that are young—here is a lesson: do not fear ever to think. A half-thought has been buzzing often in my brain, but I fear to let him loose his wings. Here now, with more knowledge, I go back to where that half-thought come from and I find that he be no half-thought at all; that be a whole thought, though so young that he is not yet strong to use his little wings. Nay, like the “Ugly Duck” of my friend Hans Andersen, he be no duck-thought at all, but a big swan-thought that sail nobly on big wings, when the time come for him to try them. See I read here what Jonathan have written:—
“That other of his race who, in a later age, again and again, brought his forces over The Great River into Turkey Land; who, when he was beaten back, came again, and again, and again, though he had to come alone from the bloody field where his troops were being slaughtered, since he knew that he alone could ultimately triumph.”
“What does this tell us? Not much? no! The Count’s child-thought see nothing; therefore he speak so free. Your man-thought see nothing; my man-thought see nothing, till just now. No! But there comes another word from some one who speak without thought because she, too, know not what it mean—what it might mean. Just as there are elements which rest, yet when in nature’s course they move on their way and they touch—then pouf! and there comes a flash of light, heaven wide, that blind and kill and destroy some; but that show up all earth below for leagues and leagues. Is it not so? Well, I shall explain. To begin, have you ever study the philosophy of crime? ‘Yes’ and ‘No.’ You, John, yes; for it is a study of insanity. You, no, Madam Mina; for crime touch you not—not but once. Still, your mind works true, and argues not a particulari ad universale. There is this peculiarity in criminals. It is so constant, in all countries and at all times, that even police, who know not much from philosophy, come to know it empirically, that it is. That is to be empiric. The criminal always work at one crime—that is the true criminal who seems predestinate to crime, and who will of none other. This criminal has not full man-brain. He is clever and cunning and resourceful; but he be not of man-stature as to brain. He be of child-brain in much. Now this criminal of ours is predestinate to crime also; he, too, have child-brain, and it is of the child to do what he have done. The little bird, the little fish, the little animal learn not by principle, but empirically; and when he learn to do, then there is to him the ground to start from to do more. ‘Dos pou sto,’ said Archimedes. ‘Give me a fulcrum, and I shall move the world!’ To do once, is the fulcrum whereby child-brain become man-brain; and until he have the purpose to do more, he continue to do the same again every time, just as he have done before! Oh, my dear, I see that your eyes are opened, and that to you the lightning flash show all the leagues,” for Mrs. Harker began to clap her hands and her eyes sparkled. He went on:—
“Now you shall speak. Tell us two dry men of science what you see with those so bright eyes.” He took her hand and held it whilst she spoke. His finger and thumb closed on her pulse, as I thought instinctively and unconsciously, as she spoke:—
“The Count is a criminal and of criminal type. Nordau and Lombroso would so classify him, and quâ criminal he is of imperfectly formed mind. Thus, in a difficulty he has to seek resource in habit. His past is a clue, and the one page of it that we know—and that from his own lips—tells that once before, when in what Mr. Morris would call a ‘tight place,’ he went back to his own country from the land he had tried to invade, and thence, without losing purpose, prepared himself for a new effort. He came again better equipped for his work; and won. So he came to London to invade a new land. He was beaten, and when all hope of success was lost, and his existence in danger, he fled back over the sea to his home; just as formerly he had fled back over the Danube from Turkey Land.”
“Good, good! oh, you so clever lady!” said Van Helsing, enthusiastically, as he stooped and kissed her hand. A moment later he said to me, as calmly as though we had been having a sick-room consultation:—
“Seventy-two only; and in all this excitement. I have hope.” Turning to her again, he said with keen expectation:—
“But go on. Go on! there is more to tell if you will. Be not afraid; John and I know. I do in any case, and shall tell you if you are right. Speak, without fear!”
“I will try to; but you will forgive me if I seem egotistical.”
“Nay! fear not, you must be egotist, for it is of you that we think.”
“Then, as he is criminal he is selfish; and as his intellect is small and his action is based on selfishness, he confines himself to one purpose. That purpose is remorseless. As he fled back over the Danube, leaving his forces to be cut to pieces, so now he is intent on being safe, careless of all. So his own selfishness frees my soul somewhat from the terrible power which he acquired over me on that dreadful night. I felt it! Oh, I felt it! Thank God, for His great mercy! My soul is freer than it has been since that awful hour; and all that haunts me is a fear lest in some trance or dream he may have used my knowledge for his ends.” The Professor stood up:—
“He has so used your mind; and by it he has left us here in Varna, whilst the ship that carried him rushed through enveloping fog up to Galatz, where, doubtless, he had made preparation for escaping from us. But his child-mind only saw so far; and it may be that, as ever is in God’s Providence, the very thing that the evil-doer most reckoned on for his selfish good, turns out to be his chiefest harm. The hunter is taken in his own snare, as the great Psalmist says. For now that he think he is free from every trace of us all, and that he has escaped us with so many hours to him, then his selfish child-brain will whisper him to sleep. He think, too, that as he cut himself off from knowing your mind, there can be no knowledge of him to you; there is where he fail! That terrible baptism of blood which he give you makes you free to go to him in spirit, as you have as yet done in your times of freedom, when the sun rise and set. At such times you go by my volition and not by his; and this power to good of you and others, as you have won from your suffering at his hands. This is now all the more precious that he know it not, and to guard himself have even cut himself off from his knowledge of our where. We, however, are not selfish, and we believe that God is with us through all this blackness, and these many dark hours. We shall follow him; and we shall not flinch; even if we peril ourselves that we become like him. Friend John, this has been a great hour; and it have done much to advance us on our way. You must be scribe and write him all down, so that when the others return from their work you can give it to them; then they shall know as we do.”
And so I have written it whilst we wait their return, and Mrs. Harker has written with her typewriter all since she brought the MS. to us.
About the Author
Stoker was born on 8 November 1847 at 15 Marino Crescent, Clontarf, on the north side of Dublin, Ireland. His parents were Abraham Stoker (1799–1876) from Dublin and Charlotte Mathilda Blake Thornley (1818–1901), who was raised in County Sligo.Stoker was the third of seven children, the eldest of whom was Sir Thornley Stoker, 1st Bt. Abraham and Charlotte were members of the Church of Ireland Parish of Clontarf and attended the parish church with their children, who were baptized there.
Stoker was bedridden with an unknown illness until he started school at the age of seven when he made a complete recovery. Of this time, Stoker wrote, “I was naturally thoughtful, and the leisure of long illness gave an opportunity for many thoughts which were fruitful according to their kind in later years.” He was educated at a private school run by the Rev. William Woods.
After his recovery, he grew up without further serious illnesses, even excelling as an athlete (he was named University Athlete) at Trinity College, Dublin, which he attended from 1864 to 1870. He graduated with honors as a B.A. in Mathematics. He was auditor of the College Historical Society (the Hist) and president of the University Philosophical Society, where his first paper was on Sensationalism in Fiction and Society.
Stoker became interested in the theatre while a student through his friend Dr. Maunsell. He became the theatre critic for the Dublin Evening Mail, co-owned by the author of Gothic tales Sheridan Le Fanu. Theatre critics were held in low esteem, but he attracted notice by the quality of his reviews. In December 1876, he gave a favorable review of Henry Irving’s Hamlet at the Theatre Royal in Dublin. Irving invited Stoker for dinner at the Shelbourne Hotel where he was staying, and they became friends. Stoker also wrote stories, and “The Crystal Cup” was published by the London Society in 1872, followed by “The Chain of Destiny” in four parts in The Shamrock. In 1876 while a civil servant in Dublin, Stoker wrote the non-fiction book The Duties of Clerks of Petty Sessions in Ireland (published 1879) which remained a standard work. Furthermore, he possessed an interest in art and was a founder of the Dublin Sketching Club in 1879.
In 1878 Stoker married Florence Balcombe, daughter of Lieutenant-Colonel James Balcombe of 1 Marino Crescent. She was a celebrated beauty whose former suitor was Oscar Wilde. Stoker had known Wilde from his student days, having proposed him for membership of the university’s Philosophical Society while he was president. Wilde was upset at Florence’s decision, but Stoker later resumed the acquaintanceship, and after Wilde’s fall visited him on the Continent.
The Stokers moved to London, where Stoker became an acting manager and then business manager of Irving’s Lyceum Theatre, London, a post he held for 27 years. On 31 December 1879, Bram and Florence’s only child was born, a son whom they christened Irving Noel Thornley Stoker. The collaboration with Henry Irving was important for Stoker and through him, he became involved in London’s high society, where he met James Abbott McNeill Whistler and Sir Arthur Conan Doyle (to whom he was distantly related). Working for Irving, the most famous actor of his time, and managing one of the most successful theatres in London made Stoker a notable but busy man. He was dedicated to Irving and his memoirs show he idolized him. In London Stoker also met Hall Caine, who became one of his closest friends – he dedicated Dracula to him.
In the course of Irving’s tours, Stoker traveled the world, although he never visited Eastern Europe, a setting for his most famous novel. Stoker enjoyed the United States, where Irving was popular. With Irving, he was invited twice to the White House and knew William McKinley and Theodore Roosevelt. Stoker set two of his novels there, using Americans as characters, the most notable being Quincey Morris. He also met one of his literary idols, Walt Whitman.
Stoker visited the English coastal town of Whitby in 1890, and that visit is said to be part of the inspiration for Dracula. He began writing novels while a manager for Henry Irving and secretary and director of London’s Lyceum Theatre, beginning with The Snake’s Pass in 1890 and Dracula in 1897. During this period, Stoker was part of the literary staff of The Daily Telegraph in London, and he wrote other fiction, including the horror novels The Lady of the Shroud (1909) and The Lair of the White Worm (1911). He published his Personal Reminiscences of Henry Irving in 1906, after Irving’s death, which proved successful, and managed productions at the Prince of Wales Theatre.
Before writing Dracula, Stoker met Ármin Vámbéry, a Hungarian writer, and traveler. Dracula likely emerged from Vámbéry’s dark stories of the Carpathian mountains. Stoker then spent several years researching European folklore and mythological stories of vampires.
The 1972 book In Search of Dracula by Radu Florescu and Raymond McNally claimed that the Count in Stoker’s novel was based on Vlad III Dracula. At most, however, Stoker borrowed only the name and “scraps of miscellaneous information” about Romanian history, according to one expert, Elizabeth Miller; as well, and there are no comments about Vlad III in the author’s working notes.
Dracula is an epistolary novel, written as a collection of realistic but completely fictional diary entries, telegrams, letters, ship’s logs, and newspaper clippings, all of which added a level of detailed realism to the story, a skill which Stoker had developed as a newspaper writer. At the time of its publication, Dracula was considered a “straightforward horror novel” based on imaginary creations of supernatural life. “It gave form to a universal fantasy . . . and became a part of popular culture.”
Stoker was a deeply private man, but his almost sexless marriage, intense adoration of Walt Whitman, Henry Irving and Hall Caine, and shared interests with Oscar Wilde, as well as the homoerotic aspects of Dracula have led to scholarly speculation that he was a repressed homosexual who used his fiction as an outlet for his sexual frustrations. In 1912, he demanded imprisonment of all homosexual authors in Britain: it has been suggested that this was due to self-loathing and to disguise his own vulnerability. A friend of Wilde, Stoker commenced writing Dracula only weeks after his conviction, possibly fearful and inspired by the monstrous image and threat of otherness that the press coverage of the Wilde trials generated.
According to the Encyclopedia of World Biography, Stoker’s stories are today included in the categories of “horror fiction”, “romanticized Gothic” stories, and “melodrama.”They are classified alongside other “works of popular fiction” such as Mary Shelley’s Frankenstein, which also used the “myth-making” and story-telling method of having multiple narrators telling the same tale from different perspectives, according to historian Jules Zanger. “‘They can’t all be lying,’ thinks the reader.”
The original 541-page typescript of Dracula was believed to have been lost until it was found in a barn in northwestern Pennsylvania in the early 1980s. It consisted of typed sheets with many emendations, plus handwritten on the title page was “THE UN-DEAD.” The author’s name was shown at the bottom as Bram Stoker. Author Robert Latham remarked: “the most famous horror novel ever published, its title changed at the last minute.” The typescript was purchased by Microsoft co-founder Paul Allen.
Stoker’s inspirations for the story, in addition to Whitby, may have included a visit to Slains Castle in Aberdeenshire, a visit to the crypts of St. Michan’s Church in Dublin, and the novella Carmilla by Sheridan Le Fanu.
Stoker’s original research notes for the novel are kept by the Rosenbach Museum and Library in Philadelphia. A facsimile edition of the notes was created by Elizabeth Miller and Robert Eighteen-Bisang in 1998.
After suffering a number of strokes, Stoker died at No. 26 St George’s Square, London on 20 April 1912. Some biographers attribute the cause of death to tertiary syphilis, others to overwork. He was cremated, and his ashes were placed in a display urn at Golders Green Crematorium in north London. The ashes of Irving Noel Stoker, the author’s son, were added to his father’s urn following his death in 1961. The original plan had been to keep his parents’ ashes together, but after Florence Stoker’s death, her ashes were scattered at the Gardens of Rest.
Stoker was raised a Protestant in the Church of Ireland. He was a strong supporter of the Liberal Party and took a keen interest in Irish affairs. As a “philosophical home ruler,” he supported Home Rule for Ireland brought about by peaceful means. He remained an ardent monarchist who believed that Ireland should remain within the British Empire, an entity that he saw as a force for good. He was an admirer of Prime Minister William Ewart Gladstone, whom he knew personally, and supported his plans for Ireland.
Stoker believed in progress and took a keen interest in science and science-based medicine. Some Stoker novels represent early examples of science fiction, such as The Lady of the Shroud (1909). He had a writer’s interest in the occult, notably mesmerism, but despised fraud and believed in the superiority of the scientific method over superstition. Stoker counted among his friends J. W. Brodie-Innis, a member of the Hermetic Order of the Golden Dawn, and hired member Pamela Colman Smith as an artist for the Lyceum Theatre, but no evidence suggests that Stoker ever joined the Order himself.
The short story collection Dracula’s Guest and Other Weird Stories was published in 1914 by Stoker’s widow, Florence Stoker, who was also his literary executrix. The first film adaptation of Dracula was F. W. Murnau’s Nosferatu, released in 1922, with Max Schreck starring as Count Orlock. Florence Stoker eventually sued the filmmakers and was represented by the attorneys of the British Incorporated Society of Authors. Her chief legal complaint was that she had neither been asked for permission for the adaptation nor paid any royalty. The case dragged on for some years, with Mrs. Stoker demanding the destruction of the negative and all prints of the film. The suit was finally resolved in the widow’s favor in July 1925. A single print of the film survived, however, and it has become well known. The first authorized film version of Dracula did not come about until almost a decade later when Universal Studios released Tod Browning’s Dracula starring Bela Lugosi.
Canadian writer Dacre Stoker, a great-grandnephew of Bram Stoker, decided to write “a sequel that bore the Stoker name” to “reestablish creative control over” the original novel, with encouragement from screenwriter Ian Holt, because of the Stokers’ frustrating history with Dracula’s copyright. In 2009, Dracula: The Un-Dead was released, written by Dacre Stoker and Ian Holt. Both writers “based [their work] on Bram Stoker’s own handwritten notes for characters and plot threads excised from the original edition” along with their own research for the sequel. This also marked Dacre Stoker’s writing debut.
In Spring 2012, Dacre Stoker (in collaboration with Prof. Elizabeth Miller) presented the “lost” Dublin Journal written by Bram Stoker, which had been kept by his great-grandson, Noel Dobbs. Stoker’s diary entries shed a light on the issues that concerned him before his London years. A remark about a boy who caught flies in a bottle might be a clue for the later development of the Renfield character in Dracula.
On 8 November 2012, Stoker was honored with a Google Doodle on Google’s homepage commemorating his 165th birthday.
An annual festival takes place in Dublin, the birthplace of Bram Stoker, in honor of his literary achievements. The 2014 Bram Stoker Festival encompassed literary, film, family, street, and outdoor events, and ran from 24–27 October in and around Dublin City. The festival is supported by the Bram Stoker Estate and funded by Dublin City Council and Fáilte Ireland. -Wikipedia