CHAPTER VIII MINA MURRAY’S JOURNAL Same day, 11 o’clock p. m.—Oh, but I am tired! If it were not that I had made my diary a duty I should not […]
MINA MURRAY’S JOURNAL
Same day, 11 o’clock p. m.—Oh, but I am tired! If it were not that I had made my diary a duty I should not open it to-night. We had a lovely walk. Lucy, after a while, was in gay spirits, owing, I think, to some dear cows who came nosing towards us in a field close to the lighthouse, and frightened the wits out of us. I believe we forgot everything except, of course, personal fear, and it seemed to wipe the slate clean and give us a fresh start. We had a capital “severe tea” at Robin Hood’s Bay in a sweet little old-fashioned inn, with a bow-window right over the seaweed-covered rocks of the strand. I believe we should have shocked the “New Woman” with our appetites. Men are more tolerant, bless them! Then we walked home with some, or rather many, stoppages to rest, and with our hearts full of a constant dread of wild bulls. Lucy was really tired, and we intended to creep off to bed as soon as we could. The young curate came in, however, and Mrs. Westenra asked him to stay for supper. Lucy and I had both a fight for it with the dusty miller; I know it was a hard fight on my part, and I am quite heroic. I think that some day the bishops must get together and see about breeding up a new class of curates, who don’t take supper, no matter how they may be pressed to, and who will know when girls are tired. Lucy is asleep and breathing softly. She has more colour in her cheeks than usual, and looks, oh, so sweet. If Mr. Holmwood fell in love with her seeing her only in the drawing-room, I wonder what he would say if he saw her now. Some of the “New Women” writers will some day start an idea that men and women should be allowed to see each other asleep before proposing or accepting. But I suppose the New Woman won’t condescend in future to accept; she will do the proposing herself. And a nice job she will make of it, too! There’s some consolation in that. I am so happy to-night, because dear Lucy seems better. I really believe she has turned the corner, and that we are over her troubles with dreaming. I should be quite happy if I only knew if Jonathan…. God bless and keep him.
11 August, 3 a. m.—Diary again. No sleep now, so I may as well write. I am too agitated to sleep. We have had such an adventure, such an agonising experience. I fell asleep as soon as I had closed my diary…. Suddenly I became broad awake, and sat up, with a horrible sense of fear upon me, and of some feeling of emptiness around me. The room was dark, so I could not see Lucy’s bed; I stole across and felt for her. The bed was empty. I lit a match and found that she was not in the room. The door was shut, but not locked, as I had left it. I feared to wake her mother, who has been more than usually ill lately, so threw on some clothes and got ready to look for her. As I was leaving the room it struck me that the clothes she wore might give me some clue to her dreaming intention. Dressing-gown would mean house; dress, outside. Dressing-gown and dress were both in their places. “Thank God,” I said to myself, “she cannot be far, as she is only in her nightdress.” I ran downstairs and looked in the sitting-room. Not there! Then I looked in all the other open rooms of the house, with an ever-growing fear chilling my heart. Finally I came to the hall door and found it open. It was not wide open, but the catch of the lock had not caught. The people of the house are careful to lock the door every night, so I feared that Lucy must have gone out as she was. There was no time to think of what might happen; a vague, overmastering fear obscured all details. I took a big, heavy shawl and ran out. The clock was striking one as I was in the Crescent, and there was not a soul in sight. I ran along the North Terrace, but could see no sign of the white figure which I expected. At the edge of the West Cliff above the pier I looked across the harbour to the East Cliff, in the hope or fear—I don’t know which—of seeing Lucy in our favourite seat. There was a bright full moon, with heavy black, driving clouds, which threw the whole scene into a fleeting diorama of light and shade as they sailed across. For a moment or two I could see nothing, as the shadow of a cloud obscured St. Mary’s Church and all around it. Then as the cloud passed I could see the ruins of the abbey coming into view; and as the edge of a narrow band of light as sharp as a sword-cut moved along, the church and the churchyard became gradually visible. Whatever my expectation was, it was not disappointed, for there, on our favourite seat, the silver light of the moon struck a half-reclining figure, snowy white. The coming of the cloud was too quick for me to see much, for shadow shut down on light almost immediately; but it seemed to me as though something dark stood behind the seat where the white figure shone, and bent over it. What it was, whether man or beast, I could not tell; I did not wait to catch another glance, but flew down the steep steps to the pier and along by the fish-market to the bridge, which was the only way to reach the East Cliff. The town seemed as dead, for not a soul did I see; I rejoiced that it was so, for I wanted no witness of poor Lucy’s condition. The time and distance seemed endless, and my knees trembled and my breath came laboured as I toiled up the endless steps to the abbey. I must have gone fast, and yet it seemed to me as if my feet were weighted with lead, and as though every joint in my body were rusty. When I got almost to the top I could see the seat and the white figure, for I was now close enough to distinguish it even through the spells of shadow. There was undoubtedly something, long and black, bending over the half-reclining white figure. I called in fright, “Lucy! Lucy!” and something raised a head, and from where I was I could see a white face and red, gleaming eyes. Lucy did not answer, and I ran on to the entrance of the churchyard. As I entered, the church was between me and the seat, and for a minute or so I lost sight of her. When I came in view again the cloud had passed, and the moonlight struck so brilliantly that I could see Lucy half reclining with her head lying over the back of the seat. She was quite alone, and there was not a sign of any living thing about.
When I bent over her I could see that she was still asleep. Her lips were parted, and she was breathing—not softly as usual with her, but in long, heavy gasps, as though striving to get her lungs full at every breath. As I came close, she put up her hand in her sleep and pulled the collar of her nightdress close around her throat. Whilst she did so there came a little shudder through her, as though she felt the cold. I flung the warm shawl over her, and drew the edges tight round her neck, for I dreaded lest she should get some deadly chill from the night air, unclad as she was. I feared to wake her all at once, so, in order to have my hands free that I might help her, I fastened the shawl at her throat with a big safety-pin; but I must have been clumsy in my anxiety and pinched or pricked her with it, for by-and-by, when her breathing became quieter, she put her hand to her throat again and moaned. When I had her carefully wrapped up I put my shoes on her feet and then began very gently to wake her. At first she did not respond; but gradually she became more and more uneasy in her sleep, moaning and sighing occasionally. At last, as time was passing fast, and, for many other reasons, I wished to get her home at once, I shook her more forcibly, till finally she opened her eyes and awoke. She did not seem surprised to see me, as, of course, she did not realise all at once where she was. Lucy always wakes prettily, and even at such a time, when her body must have been chilled with cold, and her mind somewhat appalled at waking unclad in a churchyard at night, she did not lose her grace. She trembled a little, and clung to me; when I told her to come at once with me home she rose without a word, with the obedience of a child. As we passed along, the gravel hurt my feet, and Lucy noticed me wince. She stopped and wanted to insist upon my taking my shoes; but I would not. However, when we got to the pathway outside the churchyard, where there was a puddle of water, remaining from the storm, I daubed my feet with mud, using each foot in turn on the other, so that as we went home, no one, in case we should meet any one, should notice my bare feet.
Fortune favoured us, and we got home without meeting a soul. Once we saw a man, who seemed not quite sober, passing along a street in front of us; but we hid in a door till he had disappeared up an opening such as there are here, steep little closes, or “wynds,” as they call them in Scotland. My heart beat so loud all the time that sometimes I thought I should faint. I was filled with anxiety about Lucy, not only for her health, lest she should suffer from the exposure, but for her reputation in case the story should get wind. When we got in, and had washed our feet, and had said a prayer of thankfulness together, I tucked her into bed. Before falling asleep she asked—even implored—me not to say a word to any one, even her mother, about her sleep-walking adventure. I hesitated at first to promise; but on thinking of the state of her mother’s health, and how the knowledge of such a thing would fret her, and thinking, too, of how such a story might become distorted—nay, infallibly would—in case it should leak out, I thought it wiser to do so. I hope I did right. I have locked the door, and the key is tied to my wrist, so perhaps I shall not be again disturbed. Lucy is sleeping soundly; the reflex of the dawn is high and far over the sea….
Same day, noon.—All goes well. Lucy slept till I woke her and seemed not to have even changed her side. The adventure of the night does not seem to have harmed her; on the contrary, it has benefited her, for she looks better this morning than she has done for weeks. I was sorry to notice that my clumsiness with the safety-pin hurt her. Indeed, it might have been serious, for the skin of her throat was pierced. I must have pinched up a piece of loose skin and have transfixed it, for there are two little red points like pin-pricks, and on the band of her nightdress was a drop of blood. When I apologised and was concerned about it, she laughed and petted me, and said she did not even feel it. Fortunately it cannot leave a scar, as it is so tiny.
Same day, night.—We passed a happy day. The air was clear, and the sun bright, and there was a cool breeze. We took our lunch to Mulgrave Woods, Mrs. Westenra driving by the road and Lucy and I walking by the cliff-path and joining her at the gate. I felt a little sad myself, for I could not but feel how absolutely happy it would have been had Jonathan been with me. But there! I must only be patient. In the evening we strolled in the Casino Terrace, and heard some good music by Spohr and Mackenzie, and went to bed early. Lucy seems more restful than she has been for some time, and fell asleep at once. I shall lock the door and secure the key the same as before, though I do not expect any trouble to-night.
12 August.—My expectations were wrong, for twice during the night I was wakened by Lucy trying to get out. She seemed, even in her sleep, to be a little impatient at finding the door shut, and went back to bed under a sort of protest. I woke with the dawn, and heard the birds chirping outside of the window. Lucy woke, too, and, I was glad to see, was even better than on the previous morning. All her old gaiety of manner seemed to have come back, and she came and snuggled in beside me and told me all about Arthur. I told her how anxious I was about Jonathan, and then she tried to comfort me. Well, she succeeded somewhat, for, though sympathy can’t alter facts, it can help to make them more bearable.
13 August.—Another quiet day, and to bed with the key on my wrist as before. Again I awoke in the night, and found Lucy sitting up in bed, still asleep, pointing to the window. I got up quietly, and pulling aside the blind, looked out. It was brilliant moonlight, and the soft effect of the light over the sea and sky—merged together in one great, silent mystery—was beautiful beyond words. Between me and the moonlight flitted a great bat, coming and going in great whirling circles. Once or twice it came quite close, but was, I suppose, frightened at seeing me, and flitted away across the harbour towards the abbey. When I came back from the window Lucy had lain down again, and was sleeping peacefully. She did not stir again all night.
14 August.—On the East Cliff, reading and writing all day. Lucy seems to have become as much in love with the spot as I am, and it is hard to get her away from it when it is time to come home for lunch or tea or dinner. This afternoon she made a funny remark. We were coming home for dinner, and had come to the top of the steps up from the West Pier and stopped to look at the view, as we generally do. The setting sun, low down in the sky, was just dropping behind Kettleness; the red light was thrown over on the East Cliff and the old abbey, and seemed to bathe everything in a beautiful rosy glow. We were silent for a while, and suddenly Lucy murmured as if to herself:—
“His red eyes again! They are just the same.” It was such an odd expression, coming apropos of nothing, that it quite startled me. I slewed round a little, so as to see Lucy well without seeming to stare at her, and saw that she was in a half-dreamy state, with an odd look on her face that I could not quite make out; so I said nothing, but followed her eyes. She appeared to be looking over at our own seat, whereon was a dark figure seated alone. I was a little startled myself, for it seemed for an instant as if the stranger had great eyes like burning flames; but a second look dispelled the illusion. The red sunlight was shining on the windows of St. Mary’s Church behind our seat, and as the sun dipped there was just sufficient change in the refraction and reflection to make it appear as if the light moved. I called Lucy’s attention to the peculiar effect, and she became herself with a start, but she looked sad all the same; it may have been that she was thinking of that terrible night up there. We never refer to it; so I said nothing, and we went home to dinner. Lucy had a headache and went early to bed. I saw her asleep, and went out for a little stroll myself; I walked along the cliffs to the westward, and was full of sweet sadness, for I was thinking of Jonathan. When coming home—it was then bright moonlight, so bright that, though the front of our part of the Crescent was in shadow, everything could be well seen—I threw a glance up at our window, and saw Lucy’s head leaning out. I thought that perhaps she was looking out for me, so I opened my handkerchief and waved it. She did not notice or make any movement whatever. Just then, the moonlight crept round an angle of the building, and the light fell on the window. There distinctly was Lucy with her head lying up against the side of the window-sill and her eyes shut. She was fast asleep, and by her, seated on the window-sill, was something that looked like a good-sized bird. I was afraid she might get a chill, so I ran upstairs, but as I came into the room she was moving back to her bed, fast asleep, and breathing heavily; she was holding her hand to her throat, as though to protect it from cold.
I did not wake her, but tucked her up warmly; I have taken care that the door is locked and the window securely fastened.
She looks so sweet as she sleeps; but she is paler than is her wont, and there is a drawn, haggard look under her eyes which I do not like. I fear she is fretting about something. I wish I could find out what it is.
15 August.—Rose later than usual. Lucy was languid and tired, and slept on after we had been called. We had a happy surprise at breakfast. Arthur’s father is better, and wants the marriage to come off soon. Lucy is full of quiet joy, and her mother is glad and sorry at once. Later on in the day she told me the cause. She is grieved to lose Lucy as her very own, but she is rejoiced that she is soon to have some one to protect her. Poor dear, sweet lady! She confided to me that she has got her death-warrant. She has not told Lucy, and made me promise secrecy; her doctor told her that within a few months, at most, she must die, for her heart is weakening. At any time, even now, a sudden shock would be almost sure to kill her. Ah, we were wise to keep from her the affair of the dreadful night of Lucy’s sleep-walking.
17 August.—No diary for two whole days. I have not had the heart to write. Some sort of shadowy pall seems to be coming over our happiness. No news from Jonathan, and Lucy seems to be growing weaker, whilst her mother’s hours are numbering to a close. I do not understand Lucy’s fading away as she is doing. She eats well and sleeps well, and enjoys the fresh air; but all the time the roses in her cheeks are fading, and she gets weaker and more languid day by day; at night I hear her gasping as if for air. I keep the key of our door always fastened to my wrist at night, but she gets up and walks about the room, and sits at the open window. Last night I found her leaning out when I woke up, and when I tried to wake her I could not; she was in a faint. When I managed to restore her she was as weak as water, and cried silently between long, painful struggles for breath. When I asked her how she came to be at the window she shook her head and turned away. I trust her feeling ill may not be from that unlucky prick of the safety-pin. I looked at her throat just now as she lay asleep, and the tiny wounds seem not to have healed. They are still open, and, if anything, larger than before, and the edges of them are faintly white. They are like little white dots with red centres. Unless they heal within a day or two, I shall insist on the doctor seeing about them.
Letter, Samuel F. Billington & Son, Solicitors, Whitby, to Messrs. Carter, Paterson & Co., London.
“Herewith please receive invoice of goods sent by Great Northern Railway. Same are to be delivered at Carfax, near Purfleet, immediately on receipt at goods station King’s Cross. The house is at present empty, but enclosed please find keys, all of which are labelled.
“You will please deposit the boxes, fifty in number, which form the consignment, in the partially ruined building forming part of the house and marked ‘A’ on rough diagram enclosed. Your agent will easily recognise the locality, as it is the ancient chapel of the mansion. The goods leave by the train at 9:30 to-night, and will be due at King’s Cross at 4:30 to-morrow afternoon. As our client wishes the delivery made as soon as possible, we shall be obliged by your having teams ready at King’s Cross at the time named and forthwith conveying the goods to destination. In order to obviate any delays possible through any routine requirements as to payment in your departments, we enclose cheque herewith for ten pounds (£10), receipt of which please acknowledge. Should the charge be less than this amount, you can return balance; if greater, we shall at once send cheque for difference on hearing from you. You are to leave the keys on coming away in the main hall of the house, where the proprietor may get them on his entering the house by means of his duplicate key.
“Pray do not take us as exceeding the bounds of business courtesy in pressing you in all ways to use the utmost expedition.
“We are, dear Sirs,
“Samuel F. Billington & Son.”
Letter, Messrs. Carter, Paterson & Co., London, to Messrs. Billington & Son, Whitby.
“We beg to acknowledge £10 received and to return cheque £1 17s. 9d, amount of overplus, as shown in receipted account herewith. Goods are delivered in exact accordance with instructions, and keys left in parcel in main hall, as directed.
“We are, dear Sirs,
“Pro Carter, Paterson & Co.”
Mina Murray’s Journal.
18 August.—I am happy to-day, and write sitting on the seat in the churchyard. Lucy is ever so much better. Last night she slept well all night, and did not disturb me once. The roses seem coming back already to her cheeks, though she is still sadly pale and wan-looking. If she were in any way anæmic I could understand it, but she is not. She is in gay spirits and full of life and cheerfulness. All the morbid reticence seems to have passed from her, and she has just reminded me, as if I needed any reminding, of that night, and that it was here, on this very seat, I found her asleep. As she told me she tapped playfully with the heel of her boot on the stone slab and said:—
“My poor little feet didn’t make much noise then! I daresay poor old Mr. Swales would have told me that it was because I didn’t want to wake up Geordie.” As she was in such a communicative humour, I asked her if she had dreamed at all that night. Before she answered, that sweet, puckered look came into her forehead, which Arthur—I call him Arthur from her habit—says he loves; and, indeed, I don’t wonder that he does. Then she went on in a half-dreaming kind of way, as if trying to recall it to herself:—
“I didn’t quite dream; but it all seemed to be real. I only wanted to be here in this spot—I don’t know why, for I was afraid of something—I don’t know what. I remember, though I suppose I was asleep, passing through the streets and over the bridge. A fish leaped as I went by, and I leaned over to look at it, and I heard a lot of dogs howling—the whole town seemed as if it must be full of dogs all howling at once—as I went up the steps. Then I had a vague memory of something long and dark with red eyes, just as we saw in the sunset, and something very sweet and very bitter all around me at once; and then I seemed sinking into deep green water, and there was a singing in my ears, as I have heard there is to drowning men; and then everything seemed passing away from me; my soul seemed to go out from my body and float about the air. I seem to remember that once the WestLighthouse was right under me, and then there was a sort of agonising feeling, as if I were in an earthquake, and I came back and found you shaking my body. I saw you do it before I felt you.”
Then she began to laugh. It seemed a little uncanny to me, and I listened to her breathlessly. I did not quite like it, and thought it better not to keep her mind on the subject, so we drifted on to other subjects, and Lucy was like her old self again. When we got home the fresh breeze had braced her up, and her pale cheeks were really more rosy. Her mother rejoiced when she saw her, and we all spent a very happy evening together.
19 August.—Joy, joy, joy! although not all joy. At last, news of Jonathan. The dear fellow has been ill; that is why he did not write. I am not afraid to think it or say it, now that I know. Mr. Hawkins sent me on the letter, and wrote himself, oh, so kindly. I am to leave in the morning and go over to Jonathan, and to help to nurse him if necessary, and to bring him home. Mr. Hawkins says it would not be a bad thing if we were to be married out there. I have cried over the good Sister’s letter till I can feel it wet against my bosom, where it lies. It is of Jonathan, and must be next my heart, for he is in my heart. My journey is all mapped out, and my luggage ready. I am only taking one change of dress; Lucy will bring my trunk to London and keep it till I send for it, for it may be that … I must write no more; I must keep it to say to Jonathan, my husband. The letter that he has seen and touched must comfort me till we meet.
Letter, Sister Agatha, Hospital of St. Joseph and Ste. Mary, Buda-Pesth, to Miss Wilhelmina Murray.
“I write by desire of Mr. Jonathan Harker, who is himself not strong enough to write, though progressing well, thanks to God and St. Joseph and Ste. Mary. He has been under our care for nearly six weeks, suffering from a violent brain fever. He wishes me to convey his love, and to say that by this post I write for him to Mr. Peter Hawkins, Exeter, to say, with his dutiful respects, that he is sorry for his delay, and that all of his work is completed. He will require some few weeks’ rest in our sanatorium in the hills, but will then return. He wishes me to say that he has not sufficient money with him, and that he would like to pay for his staying here, so that others who need shall not be wanting for help.
“Yours, with sympathy and all blessings,
“P. S.—My patient being asleep, I open this to let you know something more. He has told me all about you, and that you are shortly to be his wife. All blessings to you both! He has had some fearful shock—so says our doctor—and in his delirium his ravings have been dreadful; of wolves and poison and blood; of ghosts and demons; and I fear to say of what. Be careful with him always that there may be nothing to excite him of this kind for a long time to come; the traces of such an illness as his do not lightly die away. We should have written long ago, but we knew nothing of his friends, and there was on him nothing that any one could understand. He came in the train from Klausenburg, and the guard was told by the station-master there that he rushed into the station shouting for a ticket for home. Seeing from his violent demeanour that he was English, they gave him a ticket for the furthest station on the way thither that the train reached.
“Be assured that he is well cared for. He has won all hearts by his sweetness and gentleness. He is truly getting on well, and I have no doubt will in a few weeks be all himself. But be careful of him for safety’s sake. There are, I pray God and St. Joseph and Ste. Mary, many, many, happy years for you both.”
Dr. Seward’s Diary.
19 August.—Strange and sudden change in Renfield last night. About eight o’clock he began to get excited and sniff about as a dog does when setting. The attendant was struck by his manner, and knowing my interest in him, encouraged him to talk. He is usually respectful to the attendant and at times servile; but to-night, the man tells me, he was quite haughty. Would not condescend to talk with him at all. All he would say was:—
“I don’t want to talk to you: you don’t count now; the Master is at hand.”
The attendant thinks it is some sudden form of religious mania which has seized him. If so, we must look out for squalls, for a strong man with homicidal and religious mania at once might be dangerous. The combination is a dreadful one. At nine o’clock I visited him myself. His attitude to me was the same as that to the attendant; in his sublime self-feeling the difference between myself and attendant seemed to him as nothing. It looks like religious mania, and he will soon think that he himself is God. These infinitesimal distinctions between man and man are too paltry for an Omnipotent Being. How these madmen give themselves away! The real God taketh heed lest a sparrow fall; but the God created from human vanity sees no difference between an eagle and a sparrow. Oh, if men only knew!
For half an hour or more Renfield kept getting excited in greater and greater degree. I did not pretend to be watching him, but I kept strict observation all the same. All at once that shifty look came into his eyes which we always see when a madman has seized an idea, and with it the shifty movement of the head and back which asylum attendants come to know so well. He became quite quiet, and went and sat on the edge of his bed resignedly, and looked into space with lack-lustre eyes. I thought I would find out if his apathy were real or only assumed, and tried to lead him to talk of his pets, a theme which had never failed to excite his attention. At first he made no reply, but at length said testily:—
“Bother them all! I don’t care a pin about them.”
“What?” I said. “You don’t mean to tell me you don’t care about spiders?” (Spiders at present are his hobby and the note-book is filling up with columns of small figures.) To this he answered enigmatically:—
“The bride-maidens rejoice the eyes that wait the coming of the bride; but when the bride draweth nigh, then the maidens shine not to the eyes that are filled.”
He would not explain himself, but remained obstinately seated on his bed all the time I remained with him.
I am weary to-night and low in spirits. I cannot but think of Lucy, and how different things might have been. If I don’t sleep at once, chloral, the modern Morpheus—C2HCl3O. H2O! I must be careful not to let it grow into a habit. No, I shall take none to-night! I have thought of Lucy, and I shall not dishonour her by mixing the two. If need be, to-night shall be sleepless….
Later.—Glad I made the resolution; gladder that I kept to it. I had lain tossing about, and had heard the clock strike only twice, when the night-watchman came to me, sent up from the ward, to say that Renfield had escaped. I threw on my clothes and ran down at once; my patient is too dangerous a person to be roaming about. Those ideas of his might work out dangerously with strangers. The attendant was waiting for me. He said he had seen him not ten minutes before, seemingly asleep in his bed, when he had looked through the observation-trap in the door. His attention was called by the sound of the window being wrenched out. He ran back and saw his feet disappear through the window, and had at once sent up for me. He was only in his night-gear, and cannot be far off. The attendant thought it would be more useful to watch where he should go than to follow him, as he might lose sight of him whilst getting out of the building by the door. He is a bulky man, and couldn’t get through the window. I am thin, so, with his aid, I got out, but feet foremost, and, as we were only a few feet above ground, landed unhurt. The attendant told me the patient had gone to the left, and had taken a straight line, so I ran as quickly as I could. As I got through the belt of trees I saw a white figure scale the high wall which separates our grounds from those of the deserted house.
I ran back at once, told the watchman to get three or four men immediately and follow me into the grounds of Carfax, in case our friend might be dangerous. I got a ladder myself, and crossing the wall, dropped down on the other side. I could see Renfield’s figure just disappearing behind the angle of the house, so I ran after him. On the far side of the house I found him pressed close against the old ironbound oak door of the chapel. He was talking, apparently to some one, but I was afraid to go near enough to hear what he was saying, lest I might frighten him, and he should run off. Chasing an errant swarm of bees is nothing to following a naked lunatic, when the fit of escaping is upon him! After a few minutes, however, I could see that he did not take note of anything around him, and so ventured to draw nearer to him—the more so as my men had now crossed the wall and were closing him in. I heard him say:—
“I am here to do Your bidding, Master. I am Your slave, and You will reward me, for I shall be faithful. I have worshipped You long and afar off. Now that You are near, I await Your commands, and You will not pass me by, will You, dear Master, in Your distribution of good things?”
He is a selfish old beggar anyhow. He thinks of the loaves and fishes even when he believes he is in a Real Presence. His manias make a startling combination. When we closed in on him he fought like a tiger. He is immensely strong, for he was more like a wild beast than a man. I never saw a lunatic in such a paroxysm of rage before; and I hope I shall not again. It is a mercy that we have found out his strength and his danger in good time. With strength and determination like his, he might have done wild work before he was caged. He is safe now at any rate. Jack Sheppard himself couldn’t get free from the strait-waistcoat that keeps him restrained, and he’s chained to the wall in the padded room. His cries are at times awful, but the silences that follow are more deadly still, for he means murder in every turn and movement.
Just now he spoke coherent words for the first time:—
“I shall be patient, Master. It is coming—coming—coming!”
So I took the hint, and came too. I was too excited to sleep, but this diary has quieted me, and I feel I shall get some sleep to-night.
About the Author
Stoker was born on 8 November 1847 at 15 Marino Crescent, Clontarf, on the north side of Dublin, Ireland. His parents were Abraham Stoker (1799–1876) from Dublin and Charlotte Mathilda Blake Thornley (1818–1901), who was raised in County Sligo.Stoker was the third of seven children, the eldest of whom was Sir Thornley Stoker, 1st Bt. Abraham and Charlotte were members of the Church of Ireland Parish of Clontarf and attended the parish church with their children, who were baptized there.
Stoker was bedridden with an unknown illness until he started school at the age of seven when he made a complete recovery. Of this time, Stoker wrote, “I was naturally thoughtful, and the leisure of long illness gave an opportunity for many thoughts which were fruitful according to their kind in later years.” He was educated at a private school run by the Rev. William Woods.
After his recovery, he grew up without further serious illnesses, even excelling as an athlete (he was named University Athlete) at Trinity College, Dublin, which he attended from 1864 to 1870. He graduated with honors as a B.A. in Mathematics. He was auditor of the College Historical Society (the Hist) and president of the University Philosophical Society, where his first paper was on Sensationalism in Fiction and Society.
Stoker became interested in the theatre while a student through his friend Dr. Maunsell. He became the theatre critic for the Dublin Evening Mail, co-owned by the author of Gothic tales Sheridan Le Fanu. Theatre critics were held in low esteem, but he attracted notice by the quality of his reviews. In December 1876, he gave a favorable review of Henry Irving’s Hamlet at the Theatre Royal in Dublin. Irving invited Stoker for dinner at the Shelbourne Hotel where he was staying, and they became friends. Stoker also wrote stories, and “The Crystal Cup” was published by the London Society in 1872, followed by “The Chain of Destiny” in four parts in The Shamrock. In 1876 while a civil servant in Dublin, Stoker wrote the non-fiction book The Duties of Clerks of Petty Sessions in Ireland (published 1879) which remained a standard work. Furthermore, he possessed an interest in art and was a founder of the Dublin Sketching Club in 1879.
In 1878 Stoker married Florence Balcombe, daughter of Lieutenant-Colonel James Balcombe of 1 Marino Crescent. She was a celebrated beauty whose former suitor was Oscar Wilde. Stoker had known Wilde from his student days, having proposed him for membership of the university’s Philosophical Society while he was president. Wilde was upset at Florence’s decision, but Stoker later resumed the acquaintanceship, and after Wilde’s fall visited him on the Continent.
The Stokers moved to London, where Stoker became an acting manager and then business manager of Irving’s Lyceum Theatre, London, a post he held for 27 years. On 31 December 1879, Bram and Florence’s only child was born, a son whom they christened Irving Noel Thornley Stoker. The collaboration with Henry Irving was important for Stoker and through him, he became involved in London’s high society, where he met James Abbott McNeill Whistler and Sir Arthur Conan Doyle (to whom he was distantly related). Working for Irving, the most famous actor of his time, and managing one of the most successful theatres in London made Stoker a notable but busy man. He was dedicated to Irving and his memoirs show he idolized him. In London Stoker also met Hall Caine, who became one of his closest friends – he dedicated Dracula to him.
In the course of Irving’s tours, Stoker traveled the world, although he never visited Eastern Europe, a setting for his most famous novel. Stoker enjoyed the United States, where Irving was popular. With Irving, he was invited twice to the White House and knew William McKinley and Theodore Roosevelt. Stoker set two of his novels there, using Americans as characters, the most notable being Quincey Morris. He also met one of his literary idols, Walt Whitman.
Stoker visited the English coastal town of Whitby in 1890, and that visit is said to be part of the inspiration for Dracula. He began writing novels while a manager for Henry Irving and secretary and director of London’s Lyceum Theatre, beginning with The Snake’s Pass in 1890 and Dracula in 1897. During this period, Stoker was part of the literary staff of The Daily Telegraph in London, and he wrote other fiction, including the horror novels The Lady of the Shroud (1909) and The Lair of the White Worm (1911). He published his Personal Reminiscences of Henry Irving in 1906, after Irving’s death, which proved successful, and managed productions at the Prince of Wales Theatre.
Before writing Dracula, Stoker met Ármin Vámbéry, a Hungarian writer, and traveler. Dracula likely emerged from Vámbéry’s dark stories of the Carpathian mountains. Stoker then spent several years researching European folklore and mythological stories of vampires.
The 1972 book In Search of Dracula by Radu Florescu and Raymond McNally claimed that the Count in Stoker’s novel was based on Vlad III Dracula. At most, however, Stoker borrowed only the name and “scraps of miscellaneous information” about Romanian history, according to one expert, Elizabeth Miller; as well, and there are no comments about Vlad III in the author’s working notes.
Dracula is an epistolary novel, written as a collection of realistic but completely fictional diary entries, telegrams, letters, ship’s logs, and newspaper clippings, all of which added a level of detailed realism to the story, a skill which Stoker had developed as a newspaper writer. At the time of its publication, Dracula was considered a “straightforward horror novel” based on imaginary creations of supernatural life. “It gave form to a universal fantasy . . . and became a part of popular culture.”
Stoker was a deeply private man, but his almost sexless marriage, intense adoration of Walt Whitman, Henry Irving and Hall Caine, and shared interests with Oscar Wilde, as well as the homoerotic aspects of Dracula have led to scholarly speculation that he was a repressed homosexual who used his fiction as an outlet for his sexual frustrations. In 1912, he demanded imprisonment of all homosexual authors in Britain: it has been suggested that this was due to self-loathing and to disguise his own vulnerability. A friend of Wilde, Stoker commenced writing Dracula only weeks after his conviction, possibly fearful and inspired by the monstrous image and threat of otherness that the press coverage of the Wilde trials generated.
According to the Encyclopedia of World Biography, Stoker’s stories are today included in the categories of “horror fiction”, “romanticized Gothic” stories, and “melodrama.”They are classified alongside other “works of popular fiction” such as Mary Shelley’s Frankenstein, which also used the “myth-making” and story-telling method of having multiple narrators telling the same tale from different perspectives, according to historian Jules Zanger. “‘They can’t all be lying,’ thinks the reader.”
The original 541-page typescript of Dracula was believed to have been lost until it was found in a barn in northwestern Pennsylvania in the early 1980s. It consisted of typed sheets with many emendations, plus handwritten on the title page was “THE UN-DEAD.” The author’s name was shown at the bottom as Bram Stoker. Author Robert Latham remarked: “the most famous horror novel ever published, its title changed at the last minute.” The typescript was purchased by Microsoft co-founder Paul Allen.
Stoker’s inspirations for the story, in addition to Whitby, may have included a visit to Slains Castle in Aberdeenshire, a visit to the crypts of St. Michan’s Church in Dublin, and the novella Carmilla by Sheridan Le Fanu.
Stoker’s original research notes for the novel are kept by the Rosenbach Museum and Library in Philadelphia. A facsimile edition of the notes was created by Elizabeth Miller and Robert Eighteen-Bisang in 1998.
After suffering a number of strokes, Stoker died at No. 26 St George’s Square, London on 20 April 1912. Some biographers attribute the cause of death to tertiary syphilis, others to overwork. He was cremated, and his ashes were placed in a display urn at Golders Green Crematorium in north London. The ashes of Irving Noel Stoker, the author’s son, were added to his father’s urn following his death in 1961. The original plan had been to keep his parents’ ashes together, but after Florence Stoker’s death, her ashes were scattered at the Gardens of Rest.
Stoker was raised a Protestant in the Church of Ireland. He was a strong supporter of the Liberal Party and took a keen interest in Irish affairs. As a “philosophical home ruler,” he supported Home Rule for Ireland brought about by peaceful means. He remained an ardent monarchist who believed that Ireland should remain within the British Empire, an entity that he saw as a force for good. He was an admirer of Prime Minister William Ewart Gladstone, whom he knew personally, and supported his plans for Ireland.
Stoker believed in progress and took a keen interest in science and science-based medicine. Some Stoker novels represent early examples of science fiction, such as The Lady of the Shroud (1909). He had a writer’s interest in the occult, notably mesmerism, but despised fraud and believed in the superiority of the scientific method over superstition. Stoker counted among his friends J. W. Brodie-Innis, a member of the Hermetic Order of the Golden Dawn, and hired member Pamela Colman Smith as an artist for the Lyceum Theatre, but no evidence suggests that Stoker ever joined the Order himself.
The short story collection Dracula’s Guest and Other Weird Stories was published in 1914 by Stoker’s widow, Florence Stoker, who was also his literary executrix. The first film adaptation of Dracula was F. W. Murnau’s Nosferatu, released in 1922, with Max Schreck starring as Count Orlock. Florence Stoker eventually sued the filmmakers and was represented by the attorneys of the British Incorporated Society of Authors. Her chief legal complaint was that she had neither been asked for permission for the adaptation nor paid any royalty. The case dragged on for some years, with Mrs. Stoker demanding the destruction of the negative and all prints of the film. The suit was finally resolved in the widow’s favor in July 1925. A single print of the film survived, however, and it has become well known. The first authorized film version of Dracula did not come about until almost a decade later when Universal Studios released Tod Browning’s Dracula starring Bela Lugosi.
Canadian writer Dacre Stoker, a great-grandnephew of Bram Stoker, decided to write “a sequel that bore the Stoker name” to “reestablish creative control over” the original novel, with encouragement from screenwriter Ian Holt, because of the Stokers’ frustrating history with Dracula’s copyright. In 2009, Dracula: The Un-Dead was released, written by Dacre Stoker and Ian Holt. Both writers “based [their work] on Bram Stoker’s own handwritten notes for characters and plot threads excised from the original edition” along with their own research for the sequel. This also marked Dacre Stoker’s writing debut.
In Spring 2012, Dacre Stoker (in collaboration with Prof. Elizabeth Miller) presented the “lost” Dublin Journal written by Bram Stoker, which had been kept by his great-grandson, Noel Dobbs. Stoker’s diary entries shed a light on the issues that concerned him before his London years. A remark about a boy who caught flies in a bottle might be a clue for the later development of the Renfield character in Dracula.
On 8 November 2012, Stoker was honored with a Google Doodle on Google’s homepage commemorating his 165th birthday.
An annual festival takes place in Dublin, the birthplace of Bram Stoker, in honor of his literary achievements. The 2014 Bram Stoker Festival encompassed literary, film, family, street, and outdoor events, and ran from 24–27 October in and around Dublin City. The festival is supported by the Bram Stoker Estate and funded by Dublin City Council and Fáilte Ireland. -Wikipedia
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